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Next Section Quotes and Analysis Previous Section Glossary Buy Study Guide How To Cite in MLA Format Nichipor, Alexandra. This theme also intersects with the themes of reality and authenticity: in a fascist climate, no one can be truly authentic. The novel describes the horrors of fascism and its cost in human lives.

Complete uniformity is expected, and any challengers to the status quo are quickly disposed of. FascismДЇascism (extreme governmental and social control) best describes the political climate of the German Reich.

The Southern states, controlled by the German Reich, have reinstituted slavery, and Blacks are relegated to the status of slaves or very low-status workers. Though this change has created jobs for people like Childan, Frank, and Wyndam-Matson, it has not been positive for everyone. Items like Civil War recruiting posters have become valuable collectible objects Japanese occupiers see them as encapsulating true American culture, which has been diluted by (of all things) the Japanese occupation itself.

The novel also explores the psychological and social effects of colonization. Yet at the same time, the significance of history that we give to historical objects (such as FDR's lighter) is constantly called into question. The outcome of a war (an Axis victory rather than an Allied one) has changed the entire face of the earth: Germany is an interplanetary power, America is colonized, Africa has been utterly depopulated, and the Mediterranean has been drained and turned into farmland. In the novel, history shapes all aspects of our lives, including the jobs people hold and the food they eat. How do we maintain our national identity when we have colonized other nations, absorbing their culture and forcing ours upon them? History The Americans struggle to express their national heritage while also remaining non-threatening to the Japanese occupiers. Germans are consistently presented as deranged and psychotic, while the Japanese are stern but just. National IdentityДЄnother element that shapes one's life is one's national identity. Though not all of these characters ever meet each other (e.g., Tagomi and Frank), they still influence each otherвЂ™s lives. The trajectories of the characters' lives are often out of their control - for example, Frank is arrested for being Jewish by order of Wyndam-Matson, but he is freed when Tagomi absent-mindedly signs a slip of paper calling for his release. Who has control over peopleвЂ™s lives? Childan is anxious about pleasing his Japanese clients, but his client, Tagomi, is worried about pleasing his business contact Baynes.

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And Juliana abruptly discovers that the Italian truck driver Joe Cinnadella is in fact an assassin sent to eliminate the author Hawthorne Abendsen, who is himself not the creative genius he is supposed to be. Baynes presents himself as a Swedish businessman, but over the course of the story he reveals that he is in fact a German spy. In such an unreal world as that of The Man in the High Castle, how can we really tell that people are who they say they are? Frank has changed his last name and his appearance to hide his Jewish identity, and Baynes claims to have done the same. The question of reality also arises in regard to the well-made fake antiques produced by Frank and sold by Childan: if an item is authentic-looking enough, does it really matter if it lacks the 'patina of history'? Even fake objects can have very real effects, as we learn when Tagomi uses his antique pistol to violently defend Baynes. As a fictional world, the story itself is not real, yet like all novels it takes on its own sense of reality. What is real? What is fake? These questions are at the heart of The Man in the High Castle.

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